Agnieszka Polska - Cat.
The design features the horse of the messenger – both part of Polska's multi-channel video installation. The white horse, meme-like with it's huge eyes, became quickly iconic. The fantasy-touch of the portrait was contrasted with the use of a mechanical monospace typeface which points to the background of the story: an earlycapitalist polnish enterprise in the 15th century (see righten column).
Please have a look on the communication/ exhibition design: LINK